Oklahoma! changed the role dance played in Broadway musicals. Choreographer, Agnes de Mille’s road to Oklahoma! was many unconventional years in the making. Afterward, she felt conflicted about her success but with advice from Martha Graham, de Mille took leap after leap in the dark.
Rick Long has worked with artists Lisa Lisa, Daddy Yankee, Salt-N-Pepa, and more. Specializing in Dancehall, Jazz and Hip-Hop, he recently appeared in Step Up 3D and is a teacher. He answers 5 questions about his career in our Pro Dance Profile series.
Enforced Arch is a dance and performance community of intelligent communicators who use their unique talents to bring life to environmental and social issues. They were also voted #2 in a very close race to decide the Top Dance Blogs of 2011. Learn more about the community and its creator James Koroni in this interview.
Co-Director of The Ailey School, Co-Chair of The Ailey/Fordham B.F.A. program, and former Dance Theatre of Harlem ballerina, Melanie Person answers ten questions: on leg extension, encouraging ballet students, what studios could do to better prepare students for college, and what she knew when she was twelve.
Nichelle interviews Dwight Rhoden whose company, Complexions Contemporary Ballet, which he co-founded with dancer Desmond Richardson is performing in Houston. We talk about the future of dance, the fusion of dance forms, and his work in commercial (namely So You Think You Can Dance) and concert dance, including the works Rise, set to selections by U2, and Richardson’s solo CLICK.
Three years feels too long since my last visit to Jacob’s Pillow. Dance Interactive is how I’ve been getting my Pillow fix lately. The website provides a tremendous opportunity for educating students and encouraging appreciation for dance on a global level. Drawing from the extensive Jacob Pillow Archives, it is a collection you won’t find elsewhere online.