Televised arts programming received a blow when Time Warner Cable dropped Ovation. Not cool. What is cool? The new quarter of content 4dancers and Dance Advantage have coming your way!
In the era of standardized assessment, there is a lot of talk about “teaching to the test”. While this generally refers to classroom teachers catering content and delivery to what may appear on those standardized tests, there is a fair amount of that happening in the dance classroom, too. What should be an exhilarating adventure […]
Jonathan ‘Legacy’ Perez is helping Fruit of the Loom find The Next Big Move for their next advertisement. Legacy talks with us about goals, adapting, and making an impression in an audition. Plus, if you’ve got The Next Big Move, find out how and where to audition!
“The only thing new in dance is you.” A friend shared that quote from an Ohio University professor years ago and it has stuck with me. Every year I find myself chuckling to myself as I listen to kids claim movements as “their” choreography when really many are sampling from the limited palette of movement […]
What are the pros and cons of traversing multiple genres in the dance field? Does it pay to be a Jack of all trades or will choreographers assume you’re a master of none? Featured columnist and dancer, Roger Lee shares his thoughts on what it’s like to find work and collect income from a variety of sources.
Nichelle interviews Dwight Rhoden whose company, Complexions Contemporary Ballet, which he co-founded with dancer Desmond Richardson is performing in Houston. We talk about the future of dance, the fusion of dance forms, and his work in commercial (namely So You Think You Can Dance) and concert dance, including the works Rise, set to selections by U2, and Richardson’s solo CLICK.