We believe there is no such thing as too much turning advice. Here are even more ways to perfect your pirouettes.
The action of the head is important but do not forget the role of the eyes in spotting. It helps to spot something like a photograph, painting, or word and really SEE the SPOT on each TURN. If you are using your head properly but still getting dizzy, it is probably because your eyes are not focusing. You need to get the head around with enough zing (see above) to have time for this, though.
5. “Connect” your arms to your back – you should feel and imagine width across the back and shoulder blades and the arms should maintain their position (don’t “wind-up” for a turn)
6. Take off from a properly placed and expansive plié for power in the turn.
7. Strengthen your ankles supporting the relevé – if you are wobbly, sickled, or pronated, this will ruin your turn.
8. Mentally, make a choice to come down from the turn, don’t “let” gravity make the choice for you.
Given my recent Piqué Turn How-To, I thought I would expand into my process for teaching this turn.
What is a Piqué Turn? Generally when a dancer is asked to perform a piqué turn in class, he/she understands that it is likely they are being asked to perform a traveling turn that begins with a step onto a straight leg, as demonstrated at the start of this combination (note: this video is an […]
I was recently asked about some tips on how to improve at multiple pirouettes. I know that lots of students are wanting to know the same thing, so here is my answer: 1. Engaging your abdominal/core muscles is necessary for maintaining good alignment during the turn. 2. Every turn is a balance, so work on […]