Welcome to our first Terpsichorus discussion!
If you haven’t yet watched the film, don’t panic! You can still download and watch the film at the locations below. Feel free to come back and add your thoughts, questions, or comments after you do. The discussion will remain open indefinitely (I may close comments eventually but not for a while!).
Look out below
I’ve posted some flash responses offered during preliminary email discussion between Steve, Robin, and myself (Nichelle). These are just to stir some conversation. You can comment on any of our comments!
Also, you’ll find some viewing prompts. These are open questions that you can choose to answer or not. If you find you’re at a loss for words, these may be good starting points.
Note: I am roughly considering Part I, anything that occurs before the big set change, and of course, Part II anything after it.
An extended list of viewing prompts, should you want to watch with it in front of you, is available here.
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“Aesthetically, I find the vocabulary beautiful in its awkwardness… Occasionally something resonated on a human/emotional level but mostly I watched with interest from visual moment to moment.” – Nichelle
“I’m finding the movements get repetitive, they are much the same tempo throughout without any particular highs or lows. There is a bit in the early men’s section where one guy sort of crab walks backwards, partially supported by another guy, that i thought was awesome.” – Robin
“I found the patterned, more structured moments to be more pleasing to watch, a theme that was sort of echoed in the geometric shapes cast on the floor.” – Steve
“I felt like there were three main “modes” he was operating within the choreography. Don’t know if it’s true for his other work too? One, is fast, forceful, and angular. Two is very sinewy and sleek. Three is what I’m dubbing “the pterodactyl” – hyperexteded spine, inward rotation, bird-like. The mood, music, lighting, set, etc. had a lot of variety and it was interesting how he used these “modes” throughout all of those changes.” – Nichelle
List 3 adjectives describing McGregor’s movement vocabulary (or body of movements).
How would you describe the shift in mood, movement, and emotion that occurs with the change in costume, lighting, and music in Part II?
The Music, Sets, Costumes, & Lighting
“I don’t enjoy the music!… I do think the dancers execute the movement brilliantly and they are all very beautiful but really, i am just not liking it.” – Robin
“I will say that MacGregor’s work is intense and he has a genius ability to visualize (and actualize!) incredibly innovative sets and choreography.” – Steve [Read more…]