Can you do “the splits?”
Splits are a topic on most young dancers’ minds. I know when I was a student the ability to sit in a split seemed pretty important. Of course, flexibility and range of motion are certainly fundamental elements in dance. However, when it comes to stretching and splits some dancers place intense emphasis on achieving the ideal static position, forgetting that this type of flexibility is only part of the picture. They compromise the healthof their instrument – the body – as they push to extremes to get results, and get results fast.
How fast is fast?
When it comes to stretching, “fast” is a very relative term. Online I’ve seen students inquiring how they might achieve a split over one weekend. Those offering branded stretching regimens that promise or imply fast results are usually talking weeks or months, but most correctly point out that results will vary depending on a number of factors.
What are these variables?
- Joint anatomy and physiology
- Elasticity of ligaments and tendons
- Gender – While a male has the same potential for flexibility as any female, differences in bone structure, muscle mass, and chemical make-up, often mean that women generally encounter fewer obstacles in achieving a certain level of flexibility or range of motion.
- Age – As with gender, the potential to perform a split is there no matter your age but flexibility declines in adulthood, meaning that maintaining or increasing the degree of pliancy requires more effort for an adult than a child.
- State of mind – Don’t write off the degree to which your mindset plays a part – science doesn’t. Discoveries and investigation continues to determine the brain’s role in stretching, and several flexibility programs directly address the issue.
As enticing as improving your flexibility over a period of a few days or weeks sounds, research tells us extreme stretching methods and overstretching can be counterproductive to gaining flexibility.
How?
A mechanism called the stretch reflex sends signals to a stretched muscle, causing it to contract in order to limit lengthening and protect the muscle from tears. Entering a split too swiftly or aggressively strengthens the contraction, working against gains in flexibility (this is one reason ballistic stretching or bouncing is discouraged). Instead, easing into and holding a stretch is recommended. This maintains the length in the muscle to a point that it “gets used to” the increased length and respond by reducing the level of the reflexive contraction.
So the longer, I hold it the better, right?
Actually, holding a stretch for very long periods of time (several minutes or longer) can cause damage to connective tissues, as does stretching without warming up the body. This damage requires time to repair and will actually slow progress in improving flexibility.
Are oversplits safe?
Nothing is inherently wrong with working toward oversplits… gradually, progressively, just as you would work at achieving other splits. However, I would suggest proceeding with even more awareness and care. See more on this in Oversplits… Overdoing It?
When Is the Right Time to Stretch?

I think it is pretty common knowledge among dancers these days that one should not stretch “cold.” However that habit of walking into a studio or green room and settling into our favorite stretch or straddle is a hard one to break. I’m guilty myself.
What you may not know is that there are different kinds or ways of stretching.
A split is considered a static passive stretch, meaning you are holding a stretch using your body weight or some other external force (as opposed to a static active stretch, like lifting your leg in arabesque, during which the stretch is held using the agonist muscles). Rather than warming up with static passive stretching, I would recommended that you begin with dynamic stretching, performing movements that address a joint’s full range of motion.
As dancer, your dynamic stretches may look like leg swings or variations of Bartenieff’s “X” series.
The best time for splits or other static passive stretches are after the body has been completely warmed up. After a class, for example.
What are some signals that I’m overstretching?
- If you’ve warmed up thoroughly and there is still pain, or
- If you experience muscle cramps or spasms, you may be stretching too aggressively.
- If you have pain during or immediately after the stretch, you may have a serious tear (you will usually feel some soreness from a minor tear the next day – if this occurs try to improve your warmup method). Tears usually result in some loss of flexibility. Light stretching can counteract this following a minor tear but be very careful not to overdo it.
- It may go without saying that if you hear a sound, like a pop, while stretching this is not a good sign. Stop immediately, follow the RICE method, and see a medical professional.
How Can I Get My Splits?

The answer isn’t exactly cut and dry. Everyone seems to have their own method and below I’ll point you to just some of the freely available and anatomically aware advice online. There are paid programs too but I can’t vouch for any of these because I’ve not tried them. Plus there are plenty of books on the subject. I welcome your thoughts on any programs or resources you’ve tried!
Splits and Flexibility Resources
- How to Improve Your Flexibility Safely Into the Splits – Lisa Howell (Lisa also has a Front Splits Fast program)
- Stretching and Flexibility – Brad Appleton
- Working Toward The Splits – Atlanta Martial Arts
- The Beginner’s Guide to Flexibility – Martial Arts Planet forum
Safe stretching is a huge topic with sometimes conflicting research. I couldn’t possibly cover it all in one or even two posts. The advice above, I hope, will help you determine if your current method or one you are exploring is a reasonably safe and healthy way to increase flexibility. Be wary of “too good to be true” claims and YouTube demonstrations from fellow students, please!
Nichelle Suzanne is a writer specializing in dance and online content. She is also a dance instructor with over 20 years experience teaching in dance studios, community programs, and colleges. She began Dance Advantage in 2008, equipped with a passion for movement education and an intuitive sense that a blog could bring dancers together. As a Houston-based dance writer, Nichelle covers dance performance for Dance Source Houston, Arts+Culture Texas, and other publications. She is a leader in social media within the dance community and has presented on blogging for dance organizations, including Dance/USA. Nichelle provides web consulting and writing services for dancers, dance schools and studios, and those beyond the dance world. Read Nichelle’s posts.
Great post! We were just talking about this in the studio. 16 to 50 year old students were discussing the issues of flexibility. Looking forward to sharing on our blog. Really appreciate the highly useful and on target information you share.
So glad you continue to find the info relevant, Mati! Thanks as always for sharing DA content – I appreciate it so much!
This is a great article. However, I’m still looking for specific splits stretches. I’ve looked all over the internet and I can’t seem to find any good explanation/tutorials. Do you have any?
Hi Talia,
Thanks for stopping by. Two of the links above: How to Improve Your Flexibility Safely Into the Splits and Working Toward the Splits both offer some specific exercises that address the various muscle groups involved in splits.
Also, there’s the just do it method. In other words to stretch for splits you just do a split as best you can and gently, gradually, and with awareness get lower or deeper into the stretch. If you are not able to sit at all in a split, try deep lunges from standing or kneeling. Also look for any exercises that stretch the iliopsoas, the front of the hip, the hamstrings, and the lower back. I’m not sure where you are flexibility-wise – this makes a difference for which kinds of exercises will help. If flexibility in general is an issue for you, working flexibility all over may also help with splits. In this case you might try yoga (in addition to whatever dance you are doing).
Good luck!
Thanks so much!! I pretty much go by the just do it method–I have a few ballet, jazz, and gym friends that have their splits, so i stretch with them. I’m actually pretty darn close!!
With a bit of additional stretching and maybe adding some of those other exercises to your regimen you should have those splits – sometimes the last bit is the hardest but don’t give up!
Hi,
Great post! I loved it, and I was wondering, especially since you mentioned Lisa Howell’s Front Splits Fast program, is it worth it? It’s rather expensive, but a lot of people say it works. However, quite a few say it doesn’t. So I’m not really sure. Would you happen to know? Also one of her articles mentioned that a lot of stretching was bad for you, however stretching is what has allowed me to be more flexible. So I’m a little confused… Is stretching good or bad? I thought it was good?
Hi Ingrid,
I wish I could tell you what I thought of the program myself. I asked to review it a while back but never heard anything. I suppose like most fitness or health programs whether or not something works would depend largely on how closely or accurately the person is following the program. Any at-home program relies on these factors. Do the same program in-person with a professional, and the results I’m sure improve. I can tell you that what I’ve seen of Lisa’s content is typically reliable but in my understanding much of this program deals with the mental obstacles to flexibility (as well as physical) which may make for quite varied experiences. Also, remember “fast” is a relative term.
As for stretching being good or bad, I’d say it’s all in how it’s done… so perhaps better vs. worse is a more accurate way to describe stretching methods. We still don’t know all there is to know about muscles and our control over them and information has a way of trickling down from researchers to practitioners, etc. From what I’ve read and experienced the guidance above remains consistent with the current physiological theories (though I’m certainly not in the science/research field myself). Our columnist Lauren Warnecke has a masters in kinesiology and has more to say on stretching in Is It Okay To Stretch Before Class? I recommend this as additional reading!
Thanks for your question Ingrid!
i still can not do the splits this is not working
Hi Nichelle,
I have been a teacher for over thirty years. Recently I closed my studio and moved across the country. I am now working in a parent run studio which is proving quite a challenge. I am not the only teacher and we have conflicting opinions which makes it difficult when we share students. I would just like your opinion on something about stretching. How do feel about teachers pushing very young students into splits, forward stretches with legs in second and other stretches of that nature?
Thanks
Sandy