Kicking off a new year at Dance Advantage isn’t always easy.
“Where to begin?” “What’s that first post of the new year going to be about?”
In the past I’ve hosted a Top Dance Blog contest between one year’s end a new year’s beginning and enjoyed its success. The contest itself got a little too big for my time budget but my favorite part was simply being able to share and support the work of other dance writers and bloggers.
So, in that spirit, our January Dance Circle roundup (we’ll do these monthly with different topics) features the posts or articles that these writers consider their best of 2015. Go ahead and click away. I hope you find something new. We’ll be here when you get back.
Dancers love “what’s in your dance bag?” posts – we can’t help but take a peek. The Classical Girl, Terez (who is an author and a favorite guest at Dance Advantage), shares the essentials. They work for any ballet dancer, really, but adult beginners will love this and the other posts at The Classical Girl website.
Inspired by a video from Wayne Byar, The Accidental Artist‘s post is a pitch to dancers to be more mindful of their approach to how they work. She encourages you to put intention into the process, rather than work to the “end game” of getting the highest leg, the highest jump, the most turns, the best turnout. Getting noticed by cheating your technique is not the end game… so what is the end game?
Nicole is a dancer, a creator, an inspiration and in this post she reveals her diagnosis and some of the things she’s learned so far in her journey and fight against cancer. She writes, “Being diagnosed with cancer has not made me suddenly wise. If anything, it has shown me how much I don’t know. Not just about the world, but about myself and my body, subjects with which I thought myself to be intimately acquainted.”
As a teacher and parent, when I’m looking for insight and recommendations for children’s literature about dance and movement, I visit Kerry’s site, Picture Books & Pirouettes. Read her interview with author/illustrator Monica Wellington to find out more about MY BALLET JOURNAL, a journal and coloring book for young dancers she created with her daughter, Lydia (a professional ballerina with NYCB). The book is a perfect keepsake for school-age dancers who want to record their dance memories throughout the year!
As usual, the year’s best at Maria’s Movers is a great idea for your dance classes for little danccers. Turn the dance studio into a bowling alley and do a bowling dance!
What do YOU know about Sylvia? Chicago dance writer, Lauren Warnecke of Art Intercepts writes, “Throughout its history, critics have felt that Sylvia‘s one redeeming value is its magnificent score, and indeed, it’s hard not to love Leo Delibes’ splendid music. John Neumeier’s version, performed last fall by the Joffrey Ballet, has so much more than that going for it. Honestly, Sylvia‘s only problem is that nobody has ever heard of it.”
On a chilly February morning, Kirsten of Setting The Barre explores the connection between light and darkness and its prevalence in the ballet world. From sweat, toil, and callus comes one of the world’s most ethereal art forms. Featuring photos by Jenay Evans and the custom Setting The Barre leotard, designed especially for the blog by Miss Jones Dance.
Throwing back to 2015’s ‘Artist Challenge’ that decorated Facebook, Instagram and various realms of social media, Shelby of Tutus&Tea reflects on ballet’s relevancy beyond the stage, the luxury of savoring our favorite moments performing as live artists, and the joy of shedding light on the fellow dancers that inspire us to keep aspiring for more.
What makes a memorable video promo for a ballet? Rachel shares her thoughts on ballet trailers at Clara’s Coffee Break…
4Dancers Dance Wellness Editor, Jann Dunn has written a thorough and thoroughly awesome piece on core control, otherwise known as back stabilization, that breaks it down so that students and teachers might really understand the concepts. Seriously, if you read no other article on core control in 2016, make it this one.
Dancers spend a lot of time trying to improve the arches of their feet. Using a foot stretcher seems like it would be a great idea – but do they really work and is using one a healthy way to improve a dancer’s foot? Find out at The Healthy Dancer.
At Ballet to the People the post that seemed to rile readers the most this year, to blogger, Carla Escoda’s surprise, was not her assessment of Milwaukee Ballet’s Giselle set in a Nazi concentration camp, nor her intensely personal reaction to Ai Weiwei’s political art installation on Alcatraz. It was her proposal to ditch the 32 fouettés! Read her post to find out why she wants to kiss them goodbye…
Blogger Rhiannon Pelletier of A Dancer’s Days takes the opportunity to talk to Sara Esty, “Lise” alternate in the new Broadway hit An American in Paris, about her experience with the show, what made her transition from the world of classical ballet to the big world of Broadway, and how her training aided that change (along with a few other juicy details!).
Messy classes are unavoidable, despite our best efforts. So, perhaps we should make lemonade and think of “off days” as a unique subset of ballet with its own rules and definitions. Rachel Hellwig explains further in her contribution at Adult Ballerina Project.
To train the body without taking the mind into consideration will not allow a dancer to succeed. Physically, we encounter the challenges of technical plateaus, becoming over-trained, and injured, but mentally we start to doubt ourselves, our chosen path, and our ability to be great dancers, which can be even more detrimental, as before we can do something, we must first believe we can do it. These three mindsets are crucial to tapping into your true potential as a dancer. Read more at The Dance Training Project.
How to Cope with Loss – Part 1: Mourning the Untimely Death of My Future Self — The Girl With The Tree Tattoo
The Girl with the Tree Tattoo‘s best post of 2015? The complete upheaval of her ballroom dance journey.
“Contemporary dance hitches a ride on the fame and fortune of classical ballet, while classical ballet tugs at contemporary dance for an awakening,” writes Jessica Maria MacFarlane (J.M.M.). “I’m swayed between the two, and this image of pointe-wearing improv pieces haunt me. They don’t really work together in the very strict sense. I’ll continue to eat it up nonetheless and welcome contemporary dance choreographers to classical ballet companies, but I know we must try to not just crystallize or blur the lines of both dance forms for the sake of blending. We must keep dance at the forefront with separate education and awareness on all genres of dance that interact and collaborate together…” Read more of Jessica’s musings as she writes about the past, present, and future of dance at her self-titled site.
Enforced Arch founder, James Koroni shares the exciting news that he has been invited by Jonah Bokaer, media artist and choreographer to participate in Rules Of The Game, a multidisciplinary work featuring visuals by Daniel Arsham and music by Pharrell Williams. Learn more about the work in this recent post.
Whether we are willing to accept it or not, the universe works in mysterious ways. Seen or unseen, there is a lot that goes on behind the scenes of life. Over time, Anthony Lo Cascio has discovered the universe will try to teach the same lesson over and over again until one is willing to respect it, recognize it, or learn it. Sounds of a #Taplife premiered in early December in NYC and is a reflection of some of the greatest lessons Anthony has learned and a connecting of those dots. See the performance in this recently released video.
Dance blog not ready for its closeup?
Or maybe you just need a few tips from top dance bloggers.