Dance fans are likely to know Hubbard Street Dance Chicago (HSDC) for its reputation as a world-class professional dance company, but a growing number of community programs are aimed at making dance accessible and available for all.
“Hubbard Street’s Education and Community Programs create environments in which everyone dances,” says Kathryn Humphreys, who for 12 years has served as HSDC’s director of Youth, Education and Community Programs. “Our mission is always to get as many people dancing as possible… We have worked with a huge variety of special needs populations in the schools and seen the impact that moving with the kids and creating these experiences has on them.”
As the longest running program of its kind in the Midwest, HSDC has a highly successful Parkinson’s Project focused on improving mobility and independence for individuals with Parkinson’s Disease. Parkinson’s Disease is a progressive degenerative movement disorder that causes muscle rigidity and slowed movements, tremors and postural instability. While there is currently no cure, significant evidence favors participation in specialized dance programs to ease the symptoms and possibly slow the progress of Parkinson’s Disease.
Under the umbrella of Adaptive Dance Programs, Hubbard Street will expand the Parkinson’s Project to include two new pilot programs on site at its studios in Chicago’s West Loop this summer: The Autism Project for youth grades 1-6 on the spectrum, and Physically Integrated Dance for youth ages 8-16 with physical disabilities.
“Our Adaptive Dance Programs will focus on their participants’ strengths — on their talents and potential, as they learn to see themselves as we see them: as dancers and choreographers,” says Humphreys. “These new curricula will highlight concepts of the choreographic process, established dance techniques, and improvisation skills relevant to the goals of each individual. Work is well underway to secure our ability to offer these programs at little or no cost to participants.”
The content of the new programs will be largely decided by committee members at Hubbard Street, with insight and input from Joshua Krasne (Visiting Assistant Director of the Resource Center for Autism and Developmental Delays at the University of Illinois-Chicago, Susan D. Imus (Chair, Columbia College Chicago Department of Creative Arts Therapies), and organizational support from Rush Orthopedics, Great Lakes Adaptive Sports Association, and the Ann & Robert H. Lurie Children’s Hospital of Chicago. However, even with all those academics involved, Hubbard Street maintains that these classes are not being offered for the purpose of scholarly research.
“We don’t have HIPAA privileges, and it would cost millions of dollars to try. We are pretty clear that these are not dance therapy classes…. our Parkinson’s class was very clear with us that they wanted to take a dance class. They get enough therapy in the rest of their lives. We got similar feedback from this committee that the students and the parents of the students want to find a way for them to have ‘normal’ activities.”
The committee is split on whether or not to create inclusive programming combining children from special populations into conventional classes in the program; Humphreys eventually sees a future for both blended and specialized classes. Having a child on the spectrum, she understands first hand that the type of experience one chooses for his/her child is a personal decision based on what the parent and child’s goals are.
For the time being, the pilot program will be focused on two specific populations, but HSDC isn’t limiting the class to narrow specifications of how Autism or physical disabilities are defined. And if the pilot program goes well…. but it will go well. Humphreys has no doubt that the Adaptive Dance Programs will be successful, and fill an important and underserved group of aspiring dancers.
“I’ve got it on the schedule for Fall,” she said, and if Hubbard Street runs its educational programs anywhere near how they run their professional dance company, the program, like everything else they do, will be a smash hit of the highest quality.
Note: The author has not professional or financial affiliation with Hubbard Street Dance Chicago.
Lauren Warnecke is a freelance writer and editor, focused on dance and cultural criticism in Chicago and across the Midwest. Lauren is the dance critic for the Chicago Tribune, editor of See Chicago Dance, and founder/editor of Art Intercepts, with bylines in Chicago Magazine, Milwaukee Magazine, St. Louis Magazine and Dance Media publications, among others. Holding degrees in dance and kinesiology, Lauren is an instructor of dance and exercise science at Loyola University Chicago. Read Lauren’s posts.