We Know #WhyDanceMatters

A few years ago, I dreamed up a social media initiative called Why Dance Matters. It wasn’t the first time the question had been asked or answered in one way or another but, with the help of a handy hashtag (#whydancematters), I hosted a “virtual event” and the concept caught on. Soon people were sharing their thoughts on why dance matters to them, to their communities, and to the world.

The great thing about #whydancematters is that, because of its simplicity, it has a life outside of anything I do or have done with it. I wouldn’t dream of claiming responsibility for every time someone tweets or tags something with the phrase, but when I see dance lovers use the hashtag (with or without any knowledge of our 2010 experiment), it makes me smile every time.

This month we invited you to share Why Dance Matters in our Dance Circle. Topical submissions are included below, along with some other great examples of #whydancematters from around the web.


Why Do We Dance?




All In One Experience

“Performing in story ballets =Artistic expression + physical expression + dramatic expression + physical exercise…” AND MORE!




What Better Use Of Time?

Why Dance Matters

“A surprising insight from a 11 year old who just started dancing this year. So glad she found dance and proud she realizes it is a better use of her time!”




Generosity Of Self

“Are you just going to be stingy? Just keep yourself to yourself for the rest of your life? In case you fall? In case you fail? In case you make a fool of yourself? In case we see how imperfect you are? OR: are you going to choose to just be generous anyway? To just take up as much space as you actually take up? To be as big, as graceful, as long, as gorgeous, as enormous as you actually are?”

“How Generous Are You Willing To Be?” –Huffpo



New Yorkers For Dance

This YouTube channel is full of New Yorkers, including Misty Copeland, David Hallberg, Bill T. Jones “putting faces and voices to why dance matters.”

New Yorkers For Dance

Click the image to visit the DanceNYC Youtube channel



WDM at Sadler’s Wells





Tap World does what the rest of U.S. dance could and should do. It shows why dance matters to this society and to our world. It reaches past the official arbiters of what’s important about dance and instantly, solidly connects with the public. It moves people. Just like the best tap does.” — Eva Yaa Asantewaa, InfiniteBody




Miss Hill: Making Dance Matter

Tells the inspiring and unknown story of Martha Hill, a visionary who fought against great odds to make dance a legitimate art form in America. In a career spanning most of the 20th century, Hill became a behind the scenes leader of the field and the founding director of The Juilliard Dance Division. Stylistically weaving together over 90 years of archival footage, the film is a celebration of dance and an examination of the passion required to keep it alive.




“Dance allows us the chance to express and release all of the emotions that our bodies carry on a daily basis. It’s a safe and non-judgmental place for whatever we have felt during our day and whether it’s joy, sadness, anger, or fear, dance is always there to listen.” – Kendra Antosh, Dance Barn Instructor and Administrator

Posted by Dance Barn on Friday, July 31, 2015

Bessie’s Back

…and Boy is She Bouncin’

I don’t normally cover a lot of dance news on Dance Advantage but it’s important to me to recognize important events within the dance community when I can. Many young dancers may not realize that since the 1980s New York has celebrated dance with its own awards ceremony. Wouldn’t it be nice if someday The Bessies were as widely recognized as The Oscars or The Tonys? The Bessies are not televised, so thankfully choreographer Mark Panzarino was there and kind enough to paint a picture with his recap of the event. ~ Nichelle, Editor

What makes a great awards ceremony?


A beautiful location. An hysterical host. An enthusiastic, well-dressed audience full of celebrities. Laughs in all the right places; tender moments in the right places. Not being too self-congratulatory. And, of course, the winners!  The New York Dance and Performance Awards -loving nicknamed “The Bessies,” after Bessie Schonberg, modern dance teacher and pioneer- returned Monday night in full force after a year’s hiatus with a dynamic ceremony October 18 at Symphony Space on Manhattan’s Upper West Side. Those in attendance were lucky to be there for the return of this much-needed event.

The Bessies logo - New York Dance and Performance Awards Produced by Lucy Sexton (leading fundraising efforts) and DanceNYC (with newly appointed Director Lane Harwell at the helm), and in conjunction with Danspace Project, Dance Theater Workshop, and The Joyce Theater, Bessies Awards were given for two seasons (2008-2009 and 2009-2010) and in two categories, honoring “Full Productions” and “Performers Honored for Work”.  Each award was detailed with an eloquent citation describing the recipient’s contribution to the field.

How wonderful to see such a broad spectrum of participants in the house and onstage!  Dancers, choreographers, designers, funders, media reps and politicos alike came to celebrate the best of the New York dance scene.  Famed fashion legend Isaac Mizrahi was quite the charmer, his quick wit moving celebrations along at a fun, steady pace. He looks younger than ever. (I need a new tuxedo.)  Presenters included Dance Theatre of Harlem‘s Artistic Director Virginia Johnson, Ballet Hispanico Founder Tina Ramirez, S.L.A.M founder Elizabeth Streb, the ever-present, multi-talented Ishmael Houston-Jones, and Tony-Award winning lighting designer Jennifer TiptonBilly Elliot director, Academy Award nominee, and Tony winner Stephen Daldry was in attendance.

While there were no live performances this year, too-brief videos of Bessie recipients made me hungry to see more of works I had missed during their run, particularly Michelle Boulé’s performance in Last Meadow (which also received a Bessie), Keith Hennessey‘s production of Crotch (all the Joseph Beuys references in the world cannot heal the pain, confusion, regret, cruelty, betrayal or trauma . . .) (both shown at Dance Theater Workshop), and Okwui Okpokwasili‘s Pent-Up: A Revenge Dance at P.S. 122.  Mr. Mizrahi joked, “The three greatest ballets ever: ‘La Sylphide’, ‘Giselle’, and ‘Crotch‘!” Very touching was Ms. Okpokwasili recognition of her mother, who had traveled from Nigeria to be in attendance.

Photo of Carmen deLavallade with Mark Panzarino at the 2010 bessies

Guest author, Mark Panzarino with legend Carmen deLavallade at the 2010 Bessies; photo by Richard Bernard

Other notable award recipients included Kyle Abraham‘s The Radio Show (no surprise there), Anne Collod, Anna Halprin, and Morton Subotnick for parades & changes, replays, Miki Orihara (of Martha Graham), and David Leventhal, who was rewarded for “projecting a keen intelligence with a twinkle in his eye while bringing to exhilarating life more than 40 of Mark Morris’ works.” Mr. Leventhal was presented his award by a very dashing Jock Soto, alongside fellow winner Heather Olson.

Undoubtedly, the most exciting moment of the evening was Ms. Sexton and Mr. Mizrahi recognizing the ensemble members of Paradigm with a Bessie for “(bringing) into vibrant focus the essence of what it means to dance.”  Honored were Artistic Director Gus Solomons Jr. (who called for the tripling of the size of the Bessie committee, to be able to include more works in the selection process!), Carmen deLavallade, Dudley Williams, Valda Setterfield, Michael Blake, Hope Clark, and Keith Sabado.

And then, as is with all great award ceremonies, the house lights are up and the young choreographers and performers are hugging their parents in the aisles and taking pictures with slightly smudged mascara, fumbling with framed certificates they will treasure the rest of their lives.  The more experienced performers exit the stage door.

Outside, in brisk, cool October wind, a British dancer hustles with a taxi driver to let him keep his cigarette in the cab, his ensemble on their way to the after-party at Colombus72, which, apparently, went for hours. “We won!” he says, “We should be allow to smoke!  We’re already smokin’!”

Dance Performance Awards The Bessies: Highlights from 2010 Awards Ceremony

Watch this video on YouTube.

The Radio Show Promotional Video from Kyle Abraham/Abraham.in.motion on Vimeo.

Cave of the Heart/Medea solo

Watch this video on YouTube.

Mark Panzarino headshotMark Panzarino was hand-selected at the age of 6 to study with Nina Youshkevich, the protégé of Bronislava Nijinska. His education continued at the School of American Ballet, the Joffrey Ballet School, and the David Howard Dance Center before joining Miami City Ballet as an apprentice in 1990. He has performed, choreographed, and taught for Broadway Dance Center, Dance Theatre of Harlem School, American Ballet Russe, Metropolitan Repertory Ballet, Renaissance Dance Ensemble, Eugene Lang College at the New School, Tampa Bay City Ballet, InMotion Dance Company, and the Choreographic Lab at Steps on Broadway. Mark’s first full-scale commission, Adam and Eve and God: a dance for two was presented by Texas Dance Theatre in April 2010 to stellar reviews. Additional projects include a sculptural work of mixed media (Touchdown) featured prominently in the lobby of the Times Square Hotel, a building listed on the National Register of Historic Places. A book of short poems was published in 2002. He is completing his first novel. Mark lives in Manhattan with a very spoiled 13-year-old Dalmatian named Zoey.

See his choreography on vimeo or connect with him on Facebook