Sometimes the answers are simple. Sometimes there are simply better questions and your answers may lead to a career in dance, or not.
career in dance
Rick Long has worked with artists Lisa Lisa, Daddy Yankee, Salt-N-Pepa, and more. Specializing in Dancehall, Jazz and Hip-Hop, he recently appeared in Step Up 3D and is a teacher. He answers 5 questions about his career in our Pro Dance Profile series.
The path from the insular world of college dance to a real career in dance and dancemaking is rarely a straight line. Lauren illustrates this beautifully with a peek into her own journey, while also providing the soon-to-be or recent graduate with some solid (and remarkably clear-cut) advice.
What are the pros and cons of traversing multiple genres in the dance field? Does it pay to be a Jack of all trades or will choreographers assume you’re a master of none? Featured columnist and dancer, Roger Lee shares his thoughts on what it’s like to find work and collect income from a variety of sources.
Co-Director of The Ailey School, Co-Chair of The Ailey/Fordham B.F.A. program, and former Dance Theatre of Harlem ballerina, Melanie Person answers ten questions: on leg extension, encouraging ballet students, what studios could do to better prepare students for college, and what she knew when she was twelve.
I’ve been given a blog award but I’m announcing it with a twist and a shout out. Meet my nominator, Jean who blogs 52 Weeks of Ballet, and Melissa, the young blogger behind the award. They got to ask me questions too in this post that covers everything from first dance solos to returning to ballet as an adult.